140 Royalty-Free Audio Tracks for "Irving Berlin"

Oh, How That German Could Love composed and sung by Irving Berlin in 1910

Oh, How That German Could Love composed and sung by Irving Berlin in 1910

Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). This recording, by Irving Kaufman, is from about 1919 - the University of California Santa Barbara gives it as "191-", and it cannot, of course, predate the song. While the sound quality is somewhat poor, the lyrics used here are likely nearer that sung in Yip Yip Yaphank than the standard ones given in the sheet music, making it useful. This is Indestructible Record #1569.

Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). This recording, by Irving Kaufman, is from about 1919 - the University of California Santa Barbara gives it as "191-", and it cannot, of course, predate the song. While the sound quality is somewhat poor, the lyrics used here are likely nearer that sung in Yip Yip Yaphank than the standard ones given in the sheet music, making it useful. This is Indestructible Record #1569.

Al Jolson's recording of George Gershwin's "Swanee". Composed in 1919, Al Jolson recorded for Columbia Records in January 1920, and it became a runaway hit

Kindertotenlieder, II. Nun seh' ich wohl, warum so dunkle Flammen.

Kindertotenlieder, V. In diesem Wetter, in diesem Braus. « In diesem Wetter, in diesem Braus », chant n° 5 des Kindertotenlieder (Chants sur la mort des enfants), composé en 1904 par Gustav Mahler.

Kindertotenlieder, IV. Oft denk' ich, sie sind nur ausgegangen.

Kindertotenlieder, III. Wenn dein Mütterlein.

Kindertotenlieder, I. Nun will die Sonn' so hell aufgehn.

Antonín Dvořák - Concerto for Violoncello and Orchestra in B minor, op. 104 - 2. Adagio ma non troppo (Pierre Fournier, George Szell, Berliner Philharmoniker, 1962)

Antonín Dvořák - Concerto for Violoncello and Orchestra in B minor, op. 104 - 3. Finale (Pierre Fournier, George Szell, Berliner Philharmoniker, 1962)

Concerto for Violoncello and Orchestra in B minor, op. 104 - 1. Allegro (Pierre Fournier, George Szell, Berliner Philharmoniker, Germany)

1st release date: 1938 1st recording date: 29 April 1937 Place of recording: unknown Author(s)/Composer(s): Edvard Grieg (1843-1907) Lyricist(s): none Music arranger(s): none Conductor: Hans Rosbaud (1895-1962) Performer(s): Pianoforte: Walter Gieseking (1895-1956) with the Staatskapelle Berlin (Berlin State Opera House Orchestra) Vocal range: instrumental Title/Work: Piano Concerto in A minor, Op. 16 Content: Part 3: Cadenza and 1st Movement: Allegro molto moderato (Conclusion) Genre(s): Piano concerto

1st release date: 1938 1st recording date: 29 April 1937 Place of recording: unknown Author(s)/Composer(s): Edvard Grieg (1843-1907) Lyricist(s): none Music arranger(s): none Conductor: Hans Rosbaud (1895-1962) Performer(s): Pianoforte: Walter Gieseking (1895-1956) with the Staatskapelle Berlin (Berlin State Opera House Orchestra) Vocal range: instrumental Title/Work: Piano Concerto in A minor, Op. 16 Content: Part 3: Cadenza and 1st Movement: Allegro molto moderato (Conclusion) Genre(s): Piano concerto

Label: Parlophone (Carl Lindström Company) Cat. no.: P 9116 Order number: 20258 Matrix/StamperID: 2-20258 1st release date: 1927? 1st recording date: 5 May 1927 Place of recording: Carl Lindström AG, SO.33, Schlesische Straße 26, Berlin (German Reich) Author(s)/Composer(s): Giuseppe Verdi (1842-1898) Lyricist(s): Francesco Maria Piave (1810-1876) based on a Spanish drama, Don Álvaro o la fuerza del sino (1835), by Ángel de Saavedra, 3rd Duke of Rivas (1791-1865), with a scene adapted from Friedrich Schiller's Wallensteins Lager. Conductor(s): Frieder Weissmann (1893-1984) Performer(s): Orchester der Staatsoper Berlin, Meta Seinemeyer (1895-1929) Vocal range: operatic soprano with orchestra Title/Work: La forza del destino (opera) Content: Sono giunta! Grazie, o Dio! (Aria di Leonora) Genre(s): Opera terminology Comments: RCM and Reloop

Label: Parlophone (Carl Lindström Company) Cat. no.: P 9118 Order number: 20200 Matrix/StamperID: 2-20200 1st release date: 1927? 1st recording date: 30 March 1927 Place of recording: Hochschule für Musik, Berlin (German Reich) Author(s)/Composer(s): Franz von Suppé (1819-1895) Lyricist(s): Karl Costa (1832-1907) Conductor(s): Fritz Zweig (1893-1984) Performer(s): Orchester der Staatsoper Berlin Vocal range: instrumental Title/Work: Leichte Kavallerie (operetta) (Light Cavalry) Content: Ouverture - Part 2 Genre(s): Operetta terminology Comments: RCM and ELP

Label: Parlophone (Carl Lindström Company) Cat. no.: P-9317 Order number: 20932 Matrix/StamperID: 2-20932 1st release date: 1929? 1st recording date: 23 November 1928 Place of recording: Carl Lindström AG, SO.33, Schlesische Straße 26, Berlin (German Reich) Author(s)/Composer(s): Franz Schubert (1797-1828) Lyricist(s): Alfred Maria Willner (1859-1929) and Heinz Reichert (1877-1940) Music arranger(s): Heinrich Berté (1857-1924) Conductor(s): Walter Sieber (unknown birth/death date) Performer(s): Parlophon choir with soloists and large orchestra; Soloists:Ilse Wald (1898-?), Elisabeth Kühnlein (unknown birth/death date) and Hans Clemens (1890-1958) Vocal range: various Title/Work: Das Dreimäderlhaus (House of the Three Girls) (operetta) Content: Act 4: Potpourri - Part 2 Genre(s): Operetta terminology Comments: RCM and ELP

That International Rag by Irving Berlin, sung by Billy Murray for Edison Records in 1913.

That Mysterious Rag by Irving Berlin and Ted Snyder. Composed in 1911, and performed in that year by the Premier Quartette, also known as the American Quartet. Edison Standard Record #10539.

This is the ambient sound of a lobby in berlin?.

Berlin street water pump recorded on a voice recorder.

Roomtone in a basement in berlin.

Night train to berlin, 24-mar-2008.

A walk at the gleisdreick park in berlin - sommer 2016.

Berlin city night amb.

Berlin city night amb.

Berlin city night amb.

Geotagged metropolis sounds berlin -noize from the street- roadworks senefelderstraße / göhrenerstraße 09. 10. 09 -14. 25 o´clock.

44. 10016bitestereo.

Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). I believe the version used in the show used the opening verse from the Irving Kaufman recording; the opening verse here was probably made for publication. This is Edison Blue Amberol #3639, which was created using Edison Diamond Disc matrix #6287.

Ahhhh berlin wall!.

Riding an ubahn train in berlin. People chatting stations being announced doors opening/closing traintrack sounds in the background. Mp3 so the quality is lousy.

An ambulance with siren. Recording location is berlin, germany.

Recorder with zoom h4n.

I recorded with my sony recorder some nature sounds in berlin buch. There is a highway near the forrest which i filtered out in the deep frequencies.

Subway berlin announcement "schlesisches tor". Mono mkh416 sqn fostex fr2.

Techno loop, classic sound, with a mallet glassy sound effect.

A general atmosphere of the berlin fashion week convention 2019. Indoors at an old power station.

Food hall ambience recorded at the top floor of kadewe, berlin.

The voice inside the elevator, recorded with a soundman microfone and an old sony portable md-player/recorder.

Recorded at the silvester of 2017 at boddinplatz/berlin with zoom h6 with xy head.

Esspresso machine climaxrecorded on an olympus ls-10 using a sony ecm-ms907 microphone.

You can hear some birds singing ans some people talking. In the background you can hear the typical sound of a city. A car is passing.

A rainy night: a car is passing / a man is walking from right to left. / typical city noise in the background.

A hooter form am fire service, recorder in berlin, germany.

Thunderstorm in berlin germany summer 2021.

Basement berlin drain pipe water splash.

Stereo ambient recording with a tascam dr-100 mic's. One of the exhibition hall of the museum für naturkunde in berlin. Recorded a sunday afternoon.